Stretching out: Miles Davis’ “My Funny Valentine” as a model for a dynamic jazz composition process
Contenu
Stretching out: Miles Davis’ “My Funny Valentine” as a model for a dynamic jazz composition process
Jazz-hitz
2
65-81
2019
http://jazz-hitz.musikene.eus/index.php/jazz-hitz/article/view/41
In 1983 Brofsky proposed that a series of three recordings of “My Funny Valentine” by Miles Davis could be understood as representing a type of performative composition process. In this article, I account for a further seven recordings and question the analytical and conceptual basis of Brofsky’s thesis.
Origine de la notice
Ce contenu a été déposé le 14 juin 2021 par Martin Guerpin en utilisant le formulaire "Article de revue scientifique" sur le site "BiblioJazz": https://bibliojazz-collegium-musicae.huma-num.fr/s/bibliojazz
