Stomp and swerve: American music gets hot, 1843-1924

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Stomp and swerve: American music gets hot, 1843-1924
Chicago, Ill
Chicago Review Press
2003
eng
The early decades of American popular musicùStephen Foster, Scott Joplin, John Philip Sousa, Enrico Carusoùare, for most listeners, the dark ages. It wasnÆt until the mid-1920s that the full spectrum of this musicùblack and white, urban and rural, sophisticated and crudeùmade it onto records for all to hear. This book brings a forgotten music, hot music, to life by describing how it became the dominant American musicùhow it outlasted sentimental waltzes and parlor ballads, symphonic marches and Tin Pan Alley novelty numbersùand how it became rock ÆnÆ roll. It reveals that the young men and women of that bygone era had the same musical instincts as their descendants Louis Armstrong, Elvis Presley, James Brown, Jimi Hendrix, and even Ozzy Osbourne. In minstrelsy, ragtime, brass bands, early jazz and blues, fiddle music, and many other forms, there was as much stomping and swerving as can be found in the most exciting performances of hot jazz, funk, and rock. Along the way, it explains how the strange combination of African with Scotch and Irish influences made music in the United States vastly different from other African and Caribbean musics; shares terrific stories about minstrel shows, ôcoonö songs, whorehouses, knife fights, and other low-life phenomena; and showcases a motley collection of performers heretofore unknown to all but the most avid musicologists and collectors.
1
258
978-1-55652-496-7
Stomp and swerve
Library of Congress ISBN
ML3477 .W69 2003