Teaching Jazz History with “Jelly Roll” Morton, “Inventor of Jazz,” as a Focal Point for Jazz Authenticity Discourse

Item

Teaching Jazz History with “Jelly Roll” Morton, “Inventor of Jazz,” as a Focal Point for Jazz Authenticity Discourse
Jazz Education in Research and Practice
1
118-134
2020
2020 (print)
eng
2639-7668
https://www.jstor.org/stable/10.2979/jazzeducrese.1.1.09
Because he stands at the intersection of several of the most heatedly debated topics in jazz culture, Ferdinand “Jelly Roll” Morton is a highly valuable historical figure to study. Examining the debates surrounding Morton in-depth may provide jazz educators with a unique opportunity to enrich their jazz history curricula. Subjects discussed include the problematic reliance on oral history interviews in jazz historiography, the contradictions in the historiographical and authenticity discourses surrounding Morton, the notion of folkloric authenticity, and the influence of Alan Lomax and his narratives on Morton's public reception via the Library of Congress interviews. The author offers suggestions on how jazz educators might incorporate the topics discussed into the teaching of jazz history, using Morton as a case study.
Indiana University Press
1
journal-article
2019-12-23T16:04:34Z
2020-05-14T21:04:16Z
2020-05-14T21:42:08Z (indexed)

Source of record

This item was submitted on May 7, 2021 by Stéphane Audard using the form “Article DOI” on the site “BiblioJazz”: https://bibliojazz-collegium-musicae.huma-num.fr/s/bibliojazz