John Lewis and the challenge of "real" black music
Item
John Lewis and the challenge of "real" black music
2016
eng
dewey_decimal_class:781.65092 , lc_classifications:ML410.L6245 C5 2016 , Jazz , Third stream (Music) , Music and race , Modern Jazz Quartet , History and criticism , Criticism and interpretation , History , John Lewis (1920-2001)
241
x, 241 pages
9780472053209
9780472073207
9780472122264
2016027223
openlibrary:OL27224321M
0472053205
0472073206
0472122266
949986704
United States
1941-1950
20th century
1951-1960
Branching out : the great era of venue creation
"Bearded undertakers" : rhythm and reputation
"Finesse, precision, and logic" : musical traditions and the African American elite
Composition in context : Lewis and the MJQ, 1952-62
Lewis and film noir
"Real" black music
Appendix A. Formal outlines of selected works
Appendix B. Sait-on jamais (1957) Soundscape
Appendix C. Odds against tomorrow (1959) Soundscape.
"Bearded undertakers" : rhythm and reputation
"Finesse, precision, and logic" : musical traditions and the African American elite
Composition in context : Lewis and the MJQ, 1952-62
Lewis and film noir
"Real" black music
Appendix A. Formal outlines of selected works
Appendix B. Sait-on jamais (1957) Soundscape
Appendix C. Odds against tomorrow (1959) Soundscape.
Source of record
This item was submitted on April 12, 2020 by Stéphane Audard using the form “Livre ISBN” on the site “BiblioJazz”: https://bibliojazz-collegium-musicae.huma-num.fr/s/bibliojazz
